Selasa, 30 Agustus 2011

[E203.Ebook] Download Samuel Johnson and the Journey into Words, by Lynda Mugglestone

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Samuel Johnson and the Journey into Words, by Lynda Mugglestone

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Samuel Johnson and the Journey into Words, by Lynda Mugglestone

Popular readings of Johnson as a dictionary-maker often see him as a writer who both laments and attempts to control the state of the language. Lynda Mugglestone looks at the range of Johnson's writings on, and the complexity of his thinking about, language and lexicography. She shows how these reveal him probing problems not just of meaning and use but what he considered the related issues of control, obedience, and justice, as well as the difficulties of power when exerted over the 'sea of words'. She examines his attitudes to language change, loan words, spelling, history, and authority, describing, too, the evolution of his ideas about the nature, purpose, and methods of lexicography, and shows how these reflect his own and others' thinking about politics, culture, and society. The book offers a careful reassessment of Johnson's prescriptive practice, examining in detail his commitment to evidence, and the uses to which this might be put.

Dictionary-making, for Johnson, came to be seen as a long and difficult voyage round the world of the English language. While such images play their own role in lexicographical tradition, Johnson would, as this volume explores, also make them very much his own in a range of distinctive, and illuminating, ways. Johnson's metaphors invite us to consider-and reconsider-the processes by which a dictionary might be made and the kind of destination it might seek, as well as the state of language that might be reached by such endeavours. For Johnson, where the dictionary-maker might go, and what should be accomplished along the way, can often seem to raise pertinent and perhaps troubling questions.

Lynda Mugglestone's generous, wide-ranging account casts new light on Johnson's life in language and provides a convincing reassessment of his impact on English culture, the making of dictionaries, and their role in a nation's identity. She ends by considering the power of Johnson's legacy and the degree to which his work continues to guide our attitudes to language and what we variously expect dictionaries to be and do.

  • Sales Rank: #1230105 in Books
  • Published on: 2015-10-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.60" h x 1.00" w x 8.60" l, .0 pounds
  • Binding: Hardcover
  • 288 pages

Review

"Acutely historically aware and deeply serious."--Min Wild, The Times Literary Supplement


About the Author

Lynda Mugglestone is Professor of the History of English and Fellow and Tutor in English at Pembroke College. She is the editor of Lexicography and the OED (OUP 2002),The Oxford History of English (OUP 2006, 2nd edn 2012) and, with Freya Johnston, of Samuel Johnson: The Arc of the Pendulum (OUP 2012). Her books include Talking Proper: The Rise of Accent as Social Symbol (OUP 1995, 2nd edn 2003), Lost for Words: The Hidden History of the Oxford English Dictionary (Yale 2004) and Dictionaries: A Very Short Introduction (OUP 2011).

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Senin, 29 Agustus 2011

[Z216.Ebook] Download Ebook The Rise and Fall of the Spanish Empire [Paperback] [2009] William S. Maltby, by William S. Maltby

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The Rise and Fall of the Spanish Empire [Paperback] [2009] William S. Maltby, by William S. Maltby

  • Published on: 2007-12-15
  • Binding: Paperback

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Sabtu, 27 Agustus 2011

[G109.Ebook] Download To Bless the Space Between Us: A Book of Blessings, by John O'Donohue

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To Bless the Space Between Us: A Book of Blessings, by John O'Donohue

From the author of the bestselling Anam Cara comes a beautiful collection of blessings to help readers through both the everyday and the extraordinary events of their lives.

John O’Donohue, Irish teacher and poet, has been widely praised for his gift of drawing on Celtic spiritual traditions to create words of inspiration and wisdom for today. In To Bless the Space Between Us, his compelling blend of elegant, poetic language and spiritual insight offers readers comfort and encouragement on their journeys through life. O’Donohue looks at life’s thresholds—getting married, having children, starting a new job—and offers invaluable guidelines for making the transition from a known, familiar world into a new, unmapped territory. Most profoundly, however, O’Donohue explains “blessing” as a way of life, as a lens through which the whole world is transformed.

O’Donohue awakens readers to timeless truths and shows the power they have to answer contemporary dilemmas and ease us through periods of change.

  • Sales Rank: #3414 in Books
  • Brand: O'Donohue, John
  • Published on: 2008-03-04
  • Released on: 2008-03-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .90" w x 5.40" l, .71 pounds
  • Binding: Hardcover
  • 240 pages

From Publishers Weekly
What does it mean to bless others and ourselves? In this collection of O'Donohue's poetic prayers, the author of Beauty and Anam Cara focuses on bringing God's blessings into the liminal spaces in our lives: times of transition, grieving, change or preparation for the unknown. Some of the blessings are for specific situations that are bread-and-butter staples of other prayer books, such as benedictions over births, weddings, new jobs or new homes. Others are unexpected and bravely dark, including a prayer for the loved ones left behind after a suicide, or for a parent after the death of a child. O'Donohue is not afraid to tackle the fear and guilt that many harbor secretly, bringing shame and addiction out into the open even while celebrating new life and new love. His writing is sensitive and deep: As light departs to let the earth be one with night, Silence deepens in the mind, and thoughts grow slow; The basket of twilight brims over with colors, he says of evening Vespers. The book closes with the Irish priest's personal—and often profound—musings on the act of blessing, drawing on Celtic spirituality and the wisdom of poets and philosophers. (Feb. 19)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Praise for John O’Donohue

“John O’Donohue is a man of the soul. His scholarly meditation on the continuing relevance of Ireland’s spiritual heritage has become a publishing phenomenon.…”
—London Times

Anam Cara

“A lively spiritual companion to all Celts—or to those who are Celtic in their hearts.”
—Publishers Weekly (starred review)

“Anam Cara is a radiant source of wisdom, a link between the human and the divine. This work is a blessed, rare gem.”
—Larry Dossey, M.D., author of Be Careful What You Pray For and Healing Words

“This beautifully written book proves that tireless wisdom can bring an amazing understanding about ourselves and the world around us even today.”
—Dannion Brinkley author of Saved by the Light and At Peace in the Light
Eternal Echoes

“O’Donohue has produced a treasury for readers of all faiths. A demanding, high-wire existentialist adventure that will inspire readers to re-evaluate their goals and ways of being in the world. O’Donohue ends each chapter with a lyrical blessing or prayer, and his book itself is a profound, healing prayer.”
—Publishers Weekly

Review

Praise for John O’Donohue

“John O’Donohue is a man of the soul. His scholarly meditation on the continuing relevance of Ireland’s spiritual heritage has become a publishing phenomenon.…”
—London Times

Anam Cara

“A lively spiritual companion to all Celts—or to those who are Celtic in their hearts.”
—Publishers Weekly (starred review)

“Anam Cara is a radiant source of wisdom, a link between the human and the divine. This work is a blessed, rare gem.”
—Larry Dossey, M.D., author of Be Careful What You Pray For and Healing Words

“This beautifully written book proves that tireless wisdom can bring an amazing understanding about ourselves and the world around us even today.”
—Dannion Brinkley author of Saved by the Light and At Peace in the Light
Eternal Echoes

“O’Donohue has produced a treasury for readers of all faiths. A demanding, high-wire existentialist adventure that will inspire readers to re-evaluate their goals and ways of being in the world. O’Donohue ends each chapter with a lyrical blessing or prayer, and his book itself is a profound, healing prayer.”
—Publishers Weekly

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412 of 414 people found the following review helpful.
A blessing is a reminder of who we are
By Kerry Walters
John O'Donohue died peacefully in his sleep on January 8 of this year. He was working on a book on the late medieval mystic Meister Eckhart. Hopefully, enough of it was completed to warrant a posthumous publication. In the meantime, his To Bless the Space Between Us is O'Donohue's parting gift.

The book is a collection of blessings. That doesn't necessarily sound too exciting until one recognizes the deep-down meaning of a blessing, and O'Donohue's introduction provides some guidance. In our overly busy culture, he writes, we frequently race over the "crucial thresholds in our life" without pausing to take note of their significance. We no longer have "rituals to protect, encourage, and guide us as we cross over into the unknown" (p. xiv). A blessing is precisely one of those protecting, encouraging, and guiding rituals. It memorializes our transitions, connects us with a wider community (since none of us really ever travels alone), and strives to "present a minimal psychic portrait of the geography of change it names" (ibid).

Blessings, then, are all-important. They serve to orient us in our life's journey, establish fellowship with fellow travelers, and remind us of what we too often forget: that we are pilgrims, not haphazard wanderers.

Because there are all kinds of thresholds that lead to new stages of the journey, O'Donohue has written all kinds of blessings: for obvious thresholds such as birthdays, parenthood, adulthood, old age, and death; for interior thresholds such as courage, grief, addiction, suffering, loneliness; for the thresholds of callings to the priesthood, marriage, farming; and for the thresholds that our yearnings for love, peace, and friendship can nudge us towards. Some of the blessings O'Donohue gives us are breath-takingly beautiful; others, not so much. As he himself confesses, blessings are difficult things to write. They're not poems, because they're not oblique, but rather are direct addresses "driven by immediacy and care." Yet they're not utterly unpoetic, either, because in their immediacy they must also be evocative.

Given O'Donohue's passing, it's not amiss to quote a bit of one of his most beautiful and haunting blessings (p. 72): "For Death."

From the moment you were born,
Your death has walked beside you.
Though it seldom shows its face,
You still feel its empty touch
When fear invades your life,
Or what you love is lost
Or inner damage is incurred...

That the silent presence of your death
Would call your life to attention,
Wake you up to how scarce your time is
And to the urgency to become free
And equal to the call of your destiny.

That you would gather yourself
And decide carefully
How you now can live
The life you would love
To look back on
From your deathbed.

395 of 403 people found the following review helpful.
When you find yourself in times of trouble.....
By Jesse Kornbluth
"Endings seem to lie in wait," John O'Donohue wrote. His certainly did. He died in his sleep, January 3, 2008, on vacation near Avignon. He was just 53.

I met John O'Donohue only once. I had read Anam Cara: A Book of Celtic Wisdom, the 1997 book that made him deservedly famous. "Read" is wrong. At 100 words a minute, I had, over weeks, absorbed enough of this deceptively simple exploration of "soul friendship" to grasp that here was an original thinker, a gifted poet and, most astonishing of all, a philosopher who had forged a way of looking at the world that was painfully aware of human frailty but insistent on the triumphal power of divine love. And he wrote beautifully.

A book this exciting, you have to talk about it. I mentioned O'Donohue to Sarah Ban Breathnach, the author of the Oprah-annointed Simple Abundance and Moving On. As luck would have it, she and O'Donohue were friends. And when he came through New York, Sarah generously arranged a dinner.

That was the night I learned to drink single malt. And was there ever a better teacher in the art of sipping than an Irish philosopher and mystic who had worn the collar for 19 years? I don't recall what we talked about, and neither can my wife, who does not drink; all I remember is the cascades of laughter, the unbuckled happiness of people who are thrilled to be alive, and together, and sharing good fellowship with sympathetic souls in a nice restaurant on a rainy New York night.

An evening like that is so rare I think of it as a religious experience. John O'Donohue, a holy man if ever there was one, had a lot of nights like that. A recent interviewer wrote, in memoriam, about a morning when O'Donohue came to breakfast with a hangover, having polished off an entire bottle of single malt with friends the night before. "The bottle didn't die," he announced, "without spiritual necessity."

That offhand remark was quintessential O'Donohue. He never failed to connect the worldly with the sacred --- and see it all as holy. As a writer and a man, he reminded me of the priest who was a friend of Proust's. Yes, he believed there was a Hell. But he didn't believe anyone went there.

Where do our deepest beliefs come from? Generally from childhood, and then not from what our parents and teachers say, but from what they do and who they are. In John O'Donohue's case, his mother was the family's loving center. His father was a stonemason and farmer --- and, O'Donohue thought, the "holiest man I ever met, priests included." Sometimes the boy would bring tea to his father as he worked the fields. Often, young John heard him --- praying --- before he saw him.

O'Donohue had a superlative education, earned a Ph.D. in philosophical theology from the University of Tubingen, became known as an expert on Hegel and, later, Meister Eckhart. As a priest, he loved the Church's sacramental structure and its mystical and intellectual traditions. He also loved writing. Eventually, an officious bishop made him choose. "The best decision I ever made was to become a priest," O'Donohue would say, years later, "and I think the second best decision was to resign from public priestly ministry."

In fact, he had his issues with Catholicism, especially its views on sex and women. The Church, he said, "is not trustable in the area of Eros at all." And it "has a pathological fear of the feminine --- it would sooner allow priests to marry than it would allow women to become priests."

He was just as hard on other denominations. Religious fundamentalists, he said, "only want to lead you back, driven by nostalgia for a past that never existed, to manipulate and control you.... [Their] God tends to be a monolith and an emperor of the blandest singularity." New Age spirituality, he felt, was a smorgasbord, and undisciplined. Not that he found any comfort in secular life. He scorned the mall, feared for the spiritual health of the young, and had a special dislike for media folk, "non-elected custodians of sensationalism."

His bedrocks were his faith and "the Celtic imagination," which, he said, "represents a vision of the divine where no one or nothing is excluded." The blend he created was pure joy: "I think the divine is like a huge smile that breaks somewhere in the sea within you, and gradually comes up again."

O'Donohue was no Pollyanna. He was deeply troubled by bad things happening to good people. But he also saw that "a lot of suffering is just getting rid of dross in yourself, and lingering and hanging in the darkness is often --- I say this against myself --- a failure of imagination, to imagine the door into the light."

So it makes sense that O'Donohue's last book would be nothing but invocations and blessings --- a simple, how-to guide that, in effect, takes him back to his father praying in the fields. By the fact that we live, we are blessed; by the light that shines in our hearts, we have the power to bless others and be blessed by them. Is there a purer, more elementary form of the divine in action?

He asks: What is a blessing? His first answer is formal, and expected: "A blessing is a circle of light drawn around a person to protect, heal and strengthen." But then the poetry enters: "It is a gracious invocation where the human heart pleads with the divine heart." And then there's the magical factor: "When a blessing is invoked, a window opens in eternal time."

We need to impact one another's lives in this spiritual way, he writes, because the process of living in a post-industrial, media-drenched world moves us further and further from our innate wholeness. Only direct action can breach the distance. Happily, it takes no special training to bless one another. It's just a matter of gathering yourself --- and finding the words.

In "To Bless the Space Between Us," the poet in O'Donohue seeks to break the shackles of dead language. He offers fresh blessings, and on topics the Church might overlook --- not just for a new home, marriage and child, but for the parents of a criminal, for parents who have lost a child, for those experiencing exile, solitude and failure.

These blessings look hardship in the face, but only as a challenge. In our souls, and, especially, in our hearts, O'Donohue believed, we are all home. We never left, we never will. How hard it is to hold that thought. And yet, when we take the care of others into our hearts, something happens.....

You may not have a problem with the plainspoken language of O'Donohue's blessings. I do. Maybe it's just a writer's discomfort with another writer's words. But the invocations that dot the book --- my God, could this man write! Just one example:

"Our longing for the eternal kindles our imagination to bless. Regardless of how we configure the eternal, the human heart continues to dream of a state of wholeness, that place where everything comes together, where loss will be made good, where blindness will transform into vision, where damage will be made whole, where the clenched question will open in the house of surprise, where the travails of life's journey will enjoy a homecoming. To invoke a blessing is to call some of that wholeness upon a person now."

Death was nothing to John O'Donohue --- a silent friend who walks beside us all our days. And on the other side? "I believe that our friends among the dead really mind us and look out for us," he wrote. "Often there might be a big boulder of misery over your path about to fall on you, but your friends among the dead hold it back until you have passed by."

Let it be.

106 of 110 people found the following review helpful.
To Bless the Space Between Us
By Gail Larsen
The Mystery works in powerful ways through John O'Donohue but never more so eloquently than in this exquisite collection of blessings, even for aspects of life for which we typically don't seek support or can't find words. As he speaks of these transitions, I find it remarkable that this was his last work, published after his sudden death. Those of us who love John will find solace in his acceptance of the sacredness of every aspect of life. He has left a work that will continue to bless and reach us in both celebration and the darkest of hours. To hear his voice adds to the poignancy of these blessings.

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Rabu, 24 Agustus 2011

[C186.Ebook] Download Ebook Live online learning: a facilitator's guide, by Clive Shepherd

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Live online learning: a facilitator's guide, by Clive Shepherd

Virtual classrooms provide a fantastic opportunity for any organisation that wants to get more training done more cheaply, particularly when participants are widely dispersed. Many of the skills of the classroom trainer can be transferred without difficulty to an online setting, but the experience can still be strange and sometimes a little daunting for those starting off as virtual classroom facilitators. This book brings together best practice guidelines from around the world and from our own extensive experience. It will provide you with invaluable support as you look to transfer your skills online.

  • Sales Rank: #4942656 in Books
  • Published on: 2016-03-09
  • Released on: 2016-03-09
  • Original language: English
  • Dimensions: 8.26" h x .15" w x 5.83" l,
  • Binding: Paperback
  • 64 pages

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Senin, 15 Agustus 2011

[Y448.Ebook] Fee Download I Hear Them Cry, by Shiho Kishimoto

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I Hear Them Cry, by Shiho Kishimoto

Winner of the Toyo Shuppan Literary Award

Within the peaceful walls of an old French church, Mayu, a young Japanese artist, finds inspiration. She befriends the local priest and gets involved with community outreach, discovering a rough world of drugs, prostitution, and marginalized youth. Through this work, she learns the value of human life. Even young Pierre, who gets arrested for attacking his mother with a knife, deserves compassion.

This delinquent has a seven-year-old sister named Anna and, as Mayu gets to know the family, she uncovers a disturbing history of abuse. Her wild attempt to save the girl from her twisted mother calls upon a brutal courage she didn’t know she had.

Stunned by her own audacity, Mayu turns away from the church, finds herself a seemingly perfect husband, and returns to Japan. But she hears cries of suffering even in her beautiful new home. Is her husband cheating on her, or is there some darker tale in her husband’s family history crying out to be discovered?

  • Sales Rank: #506906 in eBooks
  • Published on: 2013-11-05
  • Released on: 2013-11-05
  • Format: Kindle eBook

About the Author

Shiho Kishimoto is an award-winning author, whose accolades include the Tenth Shinpusha Foucault Masterpiece Award for the best short story anthology for Lottery and the Aichi Publishing Critic’s Award for I See a Stranger. I Hear Them Cry, published in Japanese in 2003, earned the Toyo Shuppan Literary Award and marked Kishimoto’s debut as a novelist. Kishimoto graduated from Japan’s Women’s College of Fine Arts. She lives in Tokyo.

Raj Mahtani has been a Japanese-to-English translator since the early nineties, and currently works closely with TranNet, a Japanese literary translation agency in Tokyo. Among Mahtani’s recent translations are Reiko Saegusa’s Tale Winds, Akiko Hoshino’s Painted Cookies, Fumitada Naoe’s Live with Meaning. Die with Passion, and Randy Taguchi’s Fujisan. Mahtani holds a BA in international affairs from Lewis & Clark College in Portland, Oregon. He lives in Yokohama, Japan.

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8 of 9 people found the following review helpful.
Story of child abuse and self-indulgence at war
By Joanna Daneman
I can't tell if the stodgy prose was due to a bad translation or just this isn't the best-written book. The themes are lofty; Mayu, is an idealistic young Japanese woman, who goes for a romantic life as an artist in Paris but ends up marrying for money and position. She is torn between her love for her husband, or at least her attraction to the life of comfort while being stimulated to pity by a French priest, who shows her the seamy underside of life. She flings herself into the rescue of an abused child with hardly any thought, just feeling. She seems ok with using people.

This is an unsettling story, but Japanese fiction can often be unsettling--perhaps to jostle and shock out of conventionality and acceptance of unbearable situations? It's an interesting novel but I didn't particularly enjoy it.

10 of 12 people found the following review helpful.
Good Social Service Message, Questionable Messenger
By SLS
Don't be put off by the very first disturbing pages of this book. The message is honorable: Child abuse and neglect destroy young souls, validate abusers' pitiful values, and program a generation of new abusers. This is reiterated by the follow-up lecture by a real-life director of family counseling.

But as material for a novel, Shiho Kishimoto's I Hear Them Cry seems directed more towards teenaged girls preoccupied with getting their Fantasy Guy. Humane childcare is secondary to the message that an impoverished young artist can be transported from her modest, multi-job existence to a life of surface-level romance, passionate sex, Chanel suits, and business empires.

The main character is Mayu, a Japanese young woman who arrives in Paris to sample the bohemian post-graduation lifestyle. She works hard at several jobs and becomes involved with a program that assists wayward children. But she seems robotic in her approach to enlightened service to others. Most alarming is she automatically slaps the face of her very first charge. And her instant solution to a second child's case of abuse is to deliver additional physical abuse. Clearly, Mayu may not be the best role model against child abuse.

And yet Mayu IS set up to be the heroine. But when she meets the roguishly handsome Shigeki their attraction eventually makes her forsake her modest existence and values. A third incomprehensible case of child neglect occurs when Mayu gravely imperils another child via her lack of attention.

Throughout the book, Mayu hardly finds herself in a meaningful way. Neither does the reader get any real insight into her actions, especially given there is no cycle of abuse in her family. Instead, we see Mayu succeed in the pursuit of her man by using his son to get closer to the very privileged family. Hardly the role model I would have chosen for a book on child abuse.

4 of 5 people found the following review helpful.
Thought provoking, but not for everyone.
By E. Talerico
"I Hear Them Cry" begins with a startling act of abuse - then follows Mayu, the young artist at the center of this oddly unsettlinging novel as she moves from Paris to her native Japan.
The novel is clearly divided into two sections, the first set in Paris. Mayu is immersed in a world of poverty, violence and abuse where she tries her best to be helpful but seems to lack the wisdom to offer real solutions.
The second section follows Mayu after her marriage to a wealthy Japanese wine merchant, to her native country where she finds that violence and abuse are as prevalent in upper crust society as they are in the poor and bohemian world she left behind.
Written in a fluid, almost poetic style which works at times, but just as often falls short.
"I Hear Them Cry" is thought provoking, but definitely not for everyone.

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Rabu, 10 Agustus 2011

[V206.Ebook] Download PDF Coins, Bodies, Games, and Gold, by Leslie Kurke

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Coins, Bodies, Games, and Gold, by Leslie Kurke

The invention of coinage in ancient Greece provided an arena in which rival political groups struggled to imprint their views on the world. Here Leslie Kurke analyzes the ideological functions of Greek coinage as one of a number of symbolic practices that arise for the first time in the archaic period. By linking the imagery of metals and coinage to stories about oracles, prostitutes, Eastern tyrants, counterfeiting, retail trade, and games, she traces the rising egalitarian ideology of the polis, as well as the ongoing resistance of an elitist tradition to that development. The argument thus aims to contribute to a Greek "history of ideologies," to chart the ways ideological contestation works through concrete discourses and practices long before the emergence of explicit political theory.

To an elitist sensibility, the use of almost pure silver stamped with the state's emblem was a suspicious alternative to the para-political order of gift exchange. It ultimately represented the undesirable encroachment of the public sphere of the egalitarian polis. Kurke re-creates a "language of metals" by analyzing the stories and practices associated with coinage in texts ranging from Herodotus and archaic poetry to Aristotle and Attic inscriptions. She shows that a wide variety of imagery and terms fall into two opposing symbolic domains: the city, representing egalitarian order, and the elite symposium, a kind of anti-city. Exploring the tensions between these domains, Kurke excavates a neglected portion of the Greek cultural "imaginary" in all its specificity and strangeness.

  • Sales Rank: #1992654 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 1999-08-09
  • Released on: 1999-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.02" w x 6.00" l, 1.28 pounds
  • Binding: Paperback
  • 408 pages
Features
  • Used Book in Good Condition

Review
"An excellent monograph on several aspects of the varied culture of ancient Greece. Scholars and graduate students will applaud her study."--Choice

"Eminently engaging . . . This is an important, fascinating book that should not be ignored by any monetary theorist."--L. Randall Wray, Journal of Economic Issues

"Kurke's book is lucidly and coherently written. . . . Even if we cannot unreservedly sign up to Kurke's thesis, we still feel that we have learned a great deal in following its progress."--Sue Blundell, American Historical Review

From the Inside Flap

"Leslie Kurke's readings are always interesting, often simply brilliant. She does a superb job of presenting Herodotus as a locus for the preservation of the archaic debate. Highly innovative and well-documented, this book will be a model for future work in the broader field of historically grounded poetics."--Josiah Ober, Princeton University

"Leslie Kurke has written an original and exciting work that will refine our understanding and pique our interest in ancient metals and money. This book raises gripping questions about important ancient practices and ideologies and offers a powerful argument for using both positivistic and theoretical approaches to ancient material. Coins, Bodies, Games, and Gold will give classicists much to ponder and argue about; cultural historians and comparatists in other fields, too, should read this book."--Deborah Boedecker, Center for Hellenic Studies and Brown University

From the Back Cover

"Leslie Kurke's readings are always interesting, often simply brilliant. She does a superb job of presenting Herodotus as a locus for the preservation of the archaic debate. Highly innovative and well-documented, this book will be a model for future work in the broader field of historically grounded poetics."--Josiah Ober, Princeton University

"Leslie Kurke has written an original and exciting work that will refine our understanding and pique our interest in ancient metals and money. This book raises gripping questions about important ancient practices and ideologies and offers a powerful argument for using both positivistic and theoretical approaches to ancient material. Coins, Bodies, Games, and Gold will give classicists much to ponder and argue about; cultural historians and comparatists in other fields, too, should read this book."--Deborah Boedecker, Center for Hellenic Studies and Brown University

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[X356.Ebook] Download Photography (9th Edition), by Barbara London, Jim Stone, John Upton

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Photography (9th Edition), by Barbara London, Jim Stone, John Upton

This best-selling introductory photography text teaches students how to use the medium confidently and effectively by emphasizing both technique and visual awareness. Comprehensive in scope, this book features superb instructional illustrations and examples in its clear presentation of both black and white and color photography. London offers extensive coverage of digital imaging and the latest technological developments, such as Web page design and formatting photos on CD-ROMs.

  • Sales Rank: #362127 in Books
  • Published on: 2007-03-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.78" h x .88" w x 10.12" l, 3.70 pounds
  • Binding: Paperback
  • 432 pages
Features
  • Many people who have used this book have become professions photographers.
  • Clarity and convenience have always been a focus of this book.
  • Improving visual awareness is a major emphasis of this book.

From the Back Cover

This best-selling introductory photography text teaches students how to use the medium confidently and effectively by emphasizing both technique and visual awareness.Comprehensive in scope, this book features superb instructional illustrations and examples in its clear presentation of both black and white and color photography. London offers extensive coverage of digital imaging and the latest technological developments, such as Web page design and formatting photos on CD-ROMs.

Most helpful customer reviews

131 of 142 people found the following review helpful.
125$ !!!!!!???????
By D. Fineman
I have used this text for teaching silver based analog photography since the first edition. It's clear, well organized, and has great diagrams and practical tips. However, its price now is an absurdity, even immoral for a book that gets much of its material from 35 years ago. So, if you are learning analog photography, buy an old edition: one can be had for 5$ (yes, five!) dollars. Then buy a cheap book on digital if you need one. At some point, book buyers need to send a message.

49 of 51 people found the following review helpful.
BUYER BE INFORMED - AMAZON'S DESCRIPTION INCOMPLETE AS Of MARCH 2014
By PT
Some of the material in this new 11th Edition is only available through an eText - in other words, it is NOT in the printed book.

The publisher has EXCLUDED sections in this new print edition that were included in previous editions. Sections on Developing a Negative; Printing in a Darkroom; Color: Film and Darkroom; View Camera; and The Zone System are NOT in the printed book. A Troubleshooting section for film and darkroom problems is also NOT in the printed book.

According to the printed book's Preface, this information has been moved out of the printed edition and is in only available in the eText version of the book. The Preface also states "purchase of the paper book gives you full access to the eText" (that contains everything in the printed book plus those sections just described). THIS IS NOT THE CASE. AN ACCESS CODE IS REQUIRED.

Prior to the preface the publisher has included a page describing how to access the eText. Very simple description, very simple process, but once you actually go to their web site it NOT as described. Once arriving there, you learn an ACCESS CODE is required to view / use the eText. In addition, you learn a COURSE ID is also required.

After my contacting publisher via telephone, it is learned when they sell the printed book, they include the ACCESS CODE on a printed card that is set loosely inside the front or back cover and then the book is shrink-wrapped as a unit. They explain when the book goes out to third party sellers (AMAZON) they have no control over what happens to the card.

Apparently other reviewers have learned the ACCESS CODE is also unique to one person, i.e. t is not transferable to someone else should you decide to give / sell the book.

Also according to other reviews, the eText is NOT viewable on Apple products.

Lastly, some descriptions and emails from sellers indicate the book they sell is a "stand alone version". A more accurate description is does NOT include / EXCLUDES access to the eText.

BUYER BE INFORMED.

38 of 39 people found the following review helpful.
The missing link?
By Ted York
I teach certification classes for those wishing to certify with the Professional Photographer's Certification Commission. I bought this addition and was surprised to find that they have removed several chapters from the book and put them on line. Apparently you are supposed to get a code with the book so you can go online to reference the chapters. I have yet to find the code anywhere in the book.

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Selasa, 02 Agustus 2011

[K520.Ebook] Download PDF Psychiatry In A Troubled World: Yesterday's War And Today's Challenge, by William Claire Menninger

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Psychiatry In A Troubled World: Yesterday's War And Today's Challenge, by William Claire Menninger

Psychiatry In A Troubled World: Yesterday's War And Today's Challenge, by William Claire Menninger



Psychiatry In A Troubled World: Yesterday's War And Today's Challenge, by William Claire Menninger

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Psychiatry In A Troubled World: Yesterday's War And Today's Challenge, by William Claire Menninger

  • Sales Rank: #9409520 in Books
  • Published on: 2012-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.38" w x 5.98" l, 2.27 pounds
  • Binding: Hardcover
  • 650 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
Psychiatry During World War II...
By Ben Thayer
This is by far the most important book on psychiatry in World War II so far published. The author was, for the major part of the war, Chief Consultant in Neuropsychiatry to the Surgeon General. He describes, with much documentation, the size and characteristics of the task, the errors made, the obstacles encountered and the results achieved. He demonstrates how the lessons learned in World War I were almost completely ignored and forgotten by the Army before World War II. The last part of the book deals with the possible application of lessons learned in the recent War to post-war

See all 1 customer reviews...

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