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A Sketchy Past: The Art of Peter de Seve, by Peter de Seve
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In this exquisite monograph, world-renowned illustrator and character designer Peter de S�ve shows his favorite published and unpublished works. Inventive, eccentric, and often irreverent, they represent a lifetime of drawing . . . a very sketchy past. The imagery that springs from his pen marries colorful personalities with expert storytelling, and wild flights of imagination with a masterly drawing technique that harkens back to a bygone era of impeccable draftsmanship and craft. Copiously illustrated with hundreds of paintings and drawings, including never-before-published New Yorker cover roughs, behind-the-scenes animation development artwork, and personal sketches, A Sketchy Past is the first comprehensive survey of de S�ve's work. A career-spanning biographical essay written by historian Amid Amidi, along with comments from de Sève throughout the book, offer a unique insight into his approach to illustration and his artistic process.
- Sales Rank: #826008 in Books
- Published on: 2010-03-01
- Original language: English
- Number of items: 1
- Dimensions: 12.33" h x 1.50" w x 10.33" l, 4.70 pounds
- Binding: Hardcover
- 240 pages
Review
"Peter's characters are believable, original, and always appealing. ... he takes something you think you know and gives it to you in a way that you've never seen it before." -- John Lasseter, Chief Creative Officer, Walt Disney and Pixar Studios
"Peter can just draw! Without any tricks or fancy techniques, he drives comic book and animation artists crazy." --Mike Mignola, creator of Hellboy
"Peter's characters are believable, original, and always appealing. ... he takes something you think you know and gives it to you in a way that you've never seen it before." -- John Lasseter, Chief Creative Officer, Walt Disney and Pixar Studios
"Peter can just draw! Without any tricks or fancy techniques, he drives comic book and animation artists crazy." --Mike Mignola, creator of Hellboy
About the Author
Peter de S�ve is one of America's foremost contemporary illustrators. Beginning his career as an editorial illustrator in the early eighties, de S�ve has gone on to create artwork that has graced the covers and interiors of countless major publications, books, and posters. He has also played an influential role in the design of numerous animated feature films, including the blockbuster Ice Age series.
Amid Amidi is a writer and historian. He has written and edited five books, including The Art of Pixar Short Films, The Art of Robots, and Cartoon Modern: Style and Design in Fifties Animation, which won the 2006 Theatre Library Association Award. He is also the co-founder of the leading animation industry blog CartoonBrew.com, and he distributes award-winning animated shorts through Cartoon Brew TV. He lives in Manhattan.
Chris Wedge is the director of Ice Age, Robots, and the Academy Award®-winning short Bunny, is co-founder and vice president of creative development at Blue Sky Studios. Most recently, he executive-produced Horton Hears a Who! and Ice Age: Dawn of the Dinosaurs. He also directed the character animation sequences for the Warner Bros./Geffen Films production Joe's Apartment and has supervised the creative teams for several other feature-length films. He lives in Katonah, New York, with his family.
Excerpt. � Reprinted by permission. All rights reserved.
He is one of the most highly sought-after illustrators today, though he rarely has the time to indulge or refl ect on that success. At any given moment, de S�ve is juggling multiple projects for clients that range from book and magazine publishers to animation studios, and often he can be found working in his home studio into the wee hours of the morning. He is in high demand because there are few artists who can do what he does: insightful, evocative illustration that achieves its effect without graphic tricks or gimmickry. His approach is unapologetically classical, and it is clear from his work that de S�ve relishes, above all else, solid draftsmanship, characterization, and storytelling. He has a keen eye for capturing the mannerisms of characters, both human and animal. The de S�ve touch may be no more than a subtle tilt of the head, a quirky off-balance pose, or an exaggeration of a facial feature, but those expressive penwork flourishes are all that is needed. His characters inhabit a world that is believable as our own, yet at the same time out of reach, colored with a natural sense of fun, warmth, and humanity.
Most helpful customer reviews
23 of 23 people found the following review helpful.
Brilliant
By Parka
[[VIDEOID:mo31PD7PRWO3TRZ]]A hare is praying. Behind it, a wide grinning nun closes in with a chopper in hand.
That's the description of an illustration "Hare Mary" published in The New York Times Magazine, one of the many publications to be graced by Peter de Seve's wonderful and humorous art work. Peter de Seve likes to use fairy tales or animals as metaphorical devices to enliven otherwise dry material. Not only are the drawings good, the ideas are also fantastic, probably why his work is liked by so many.
A Sketchy Past is a 240-page collection of some of his finest work, all watercoloured unless noted, and lots of fun sketches. They are lovely and timeless.
His portfolio is amazing. He has created art for The New Yorker, Disney, Blue Sky Studios, even the Totoro Forest Project and more. There are sketches from his personal sketchbooks, drafts for his magazine work and commissioned projects, like the character designs he did for Ice Age, Finding Nemo, etc.
This book is a quality publication by Akileos. It's large and measures about 16 inches diagonally. The illustrations are gloriously reproduced on thick low gloss paper, making the book slightly hefty. It's designed to draw a smile of satisfaction on your face.
Other than the beautiful art work, there's also an foreword by Chris Wedge (director of Ice Age) and introduction by Amid Amidi. The introduction is actually a nice long biography about Peter de Seve. It's filled with nice details. You can read about his schooling years, his childhood heroes -- Dracula, Frankenstein, and the Mummy -- or how he built his own studio and the type of books that fill his shelves, or his relationship with people he work with. There are also stories about his love and work for animation, most notably Ice Age where he designed all the characters.
This is definitely one of the best art books for 2009.
Highly recommended.
(More pictures are available on my blog. Just visit my Amazon profile for the link.)
7 of 7 people found the following review helpful.
The man can draw--pure and simple!
By Young Forest
Peter deS�ve is arguably the best illustrator of his generation and will be remembered as one of the greats in history and this book puts his immense talent on full display. The man can draw--pure and simple. But what makes his artwork truly exceptional, beyond the exquisite draftsmanship, is the combination of uncanny and deeply felt senses of humanity and humor he is able to infuse into his illustrations. I have admired his work for years, waiting expectantly for his next New Yorker cover to arrive in my mailbox. Each is like a surprise gift and every one has made me smile. I sometimes wonder how many professional illustrators there are out there--very talented ones no less--who feel themselves playing Salieri to deS�ve's Mozart, both admiring and resentful of his talent. But it is likely not anyone who knows him personally. In the book's Foreword, Chris Wedge (director of the Ice Age movies for which deS�ve designed the characters) writes "...He really is that funny and that clever, and he really does have a heart that big." For anyone interested in illustration this book is a must for your library. It is also a great gift if you just want to bring a smile to someone's face. For more of deS�ve's work check out the new children's book, The Duchess of Whimsy, which which was written by his wife, Randall.
1 of 1 people found the following review helpful.
excellent book by exceptional artist
By CNg
Artist, Pete de Seve is probably today's greatest illustrator and one of the best of all time. He's done everything of significance from Time and New Yorker covers to Disney and Pixar movies. This book is outstanding with high quality illustration reproductions. A great addition to the collection and a forever keepsake!
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